While many sculptors, especially those working in steel, seem to be obsessed with mass and inherent characteristics of material, Bentham is concentrating on transcending such physical limitations. In these pieces he has dropped any associations with found objects, and he has rejected the concept of the ‘culture of materials’. Simultaneously, the final image owes as much to the experience of manipulating material, to adding and editing, as it does to conception, resulting in a tense equilibrium between Bentham’s will and steel’s properties. The salient point is that, unlike many artists working with a particular material, be it steel or videotape, Bentham is in control. He is not being manipulated by his material. It is this liberation which allows his work to overcome the particular in favor of the universal.

Christopher Youngs
From catalogue Essay, Mendel Art Gallery, Saskatoon, 1984