Significantly for subsequent work, the mirroring involved in this series introduces a viewing situation in which the primacy of the whole is questioned. The importance of relating part to part supercedes that of relating part to whole. Shape, as a unifying element, is no longer the ultimate reference point.
Not that this relinquishment of the whole is an end in itself. And not that the subsequent sculptures are utterly shapeless. The words “carapace” and “reliquary” spring to mind when viewing the works. What is pertinent is that they do not invite the viewer to hold the whole with a masterful gaze. Rather, they require a scrambling glance across a broken, glittering surface in an effort to find a way in.Timothy Long
From catalogue essay, MacKenzie Art Gallery, 1999