From Emma Lake, 1982

Bentham’s sculptures were of a school of welded steel sculpture, just the way the Greeks’ were of the school of marble. It was a medium made neutral for whatever reason. The issue here was stuff stuck together in varying ways and that was what was dealt with, and that’s what I started to see. In seeing the beginning of the various attempts one could see, almost in an instant, several things. One: whether the practitioner was engaged in the classical case of self-imitation. Bentham was not, that was immediate. Perhaps that was the original impetus. Each piece in this bed of ambition had its own ‘particularness’. Each piece was unto itself.

Stanley Boxer
Interview for catalogue essay, Gordon Snelgrove Gallery, University of Saskatchewan, 1982